Larsson/Larssoff

The Girl With The Dragon Tattoo
No Slander On This Salander!
Official Website | Trailers & Mo
R | 158 min

The wait is over kids.  David Fincher‘s English language (wouldn’t dare call it ‘American’, cause it’s not whatsoever) version of The Girl With The Dragon Tattoo is no longer juss the kick ass teaser/trailer/music video of the year, it is now a movie that has to be able to deliver the goods. And?  It does indeed deliver them goods, mad good… as much as Stieg Larsson‘s story will let it/him.  What does that mean?  Well, if you know the story (and if you don’t, what planet are you from, UrineAnus?), you know it pulsatinglyly builds and builds and builds, and then goes BOOM, and then it kinda whimpers for another 30 minutes after the boom, as it re-focuses on the original task at hand, which is no longer as interesting as the sidetracked task just handled.  OK, that’s about as much bitching as we’re capable of making, cause otherwise Fincher hands in an A paper on celluloid digital projection

The Social Network gave Finchy the worldwide love & attention he deserved, but a 1s & 0s subject matter like that was well beneath his skill & artistry.  Anyone could have directed Aaron Sorkin’s script to greatness, even Ivan Reitman’s kid, or even one of Lawrence Kasdan’s kids, or even Tom Hanks’ dopey kid we just wished went away 9ever.  Anywho, Fincher is back in the territory where he belongs and we want him to stay – making flicks where people are murdered and other people try to solve those murders.  He brings his Zodiac (you know, that movie that’s one of the greatest movies ever) preciseness & pacing and applies it to the frigid and cruel Swedish world that sweeties Mikael Blomkvist & Lisbeth Salander do their investigationining thing in

So how does this new one stack up against the very very solid original flick?  It kinda bests it in every way possible, even if the original didn’t really need besting in the first place.  Still, better Fincher do it than say Ivan Reitman’s kid, or even one of Lawrence Kasdan’s kids, or even Tom Hanks’ dopey kid we just wished went away 9ever.  We gets Christopher Plummer sounding all von Sydow-y! Stellan SkarsgÃ¥rd loving Enya! Steven Berkoff hating Axel Foley! Robin Wright penning! Joely Richardson holy richardsons! Goran Visnjic with visnjacrazywitz hair! and Julian Sands juss being Aryan handsome!!!!!!  And nothing against Michael Nyqvist & Noomi Rapace, but Daniel Craig and Rooney Mara do Mik & Lis a lick better, mainly cause it’s a bit more believable and much more watchable to see Dan & Roo get bizzy than Nyquil & Noo.  Rooney’s performance as Lisbeth in particular is fracking spectacular, but don’t make us choose Lisbeths, cause there’s room for two Lisbeth performances in this world, like there was for Truman Capote.  Sadly, Toby Jones got hosed in that race, just like Rapace got zilch for being totes THE girl with the dragon tatts.  Guess what we’re saying is, why not give Rooney the Oscar.  We’d like to see Streep sport white eyebrows and get plowed by a fat dude while handcuffed (point of clarification – we are not hactually asking to see that, we juss making the point that Rooney as Lisbeth is a brave brave performance that Meryl Streep might hactually be incapable of braving, or something to that DAS EFX)

moral of the story – it’s no Zodiac, but it’s a David Fincher film, and people should see David Fincher films, cause every other film isn’t a David Fincher film

Swede Jesus!!:  Harriet Vagner haunts her uncle’s life, and now our dreams, in a good way, cause she’s so dreamy!!!  and she is

Moa Garpendal

and how about her cousin Anita, aka

Mathilda von Essen

Verdictgo: Breast In Show

Tattoo you at a theater near Jews on December 21st

and until next thyme the balcony is clothed…