Orbit Obit

Melancholia
Let Nature Take Its Collision Course
Official Website | Trailers & Mo
R | 136 min

What’s that in the sky?  Is it a bird? A plane?  No, it’s a mysterious blue planet colliding with ours!!!  WHAT!!!?!??!?!?!  Perish the pershing thought!  But would you expect anything less than a date with annihilation with our host being none other than Mr Slap-Happy Go-Lucky himself, Lars von Trier???  No, we wouldn’t, but after whatever the f%^k his Antichrist was (or wasn’t), we’re glad he’s putting us out of our miseries, and the results are sirprizngly not eye slitting out repoopulii!!!  Who knew that R.E.M. could get it so darn right when they said that they felt fine at the end of the world!!  It’s true, well, at least when watching it happen cinematically!

von Trier’s Melancholia starts with a masterfully artsy fartsy prelude bang (the sequence alone is worth the price of admission), and them calmly works its way backwards, 2 days before our time is up.  We meet blushing newlyweds Kirsten Dunst and Alexander SkarsgÃ¥rd, who are late to their own party, but with their perma-smiles & nuptial bliss in tow, no one is going to mind waiting hours for their arrival.  Once it all gets going, the reception is to die for (think this is how we’d all love ours to look like), but as the evening progresses, things start to unravel as we learn that nothing in this world can make Dunst happy, even on her most special of special days.  Her bleak mum (Charlotte Rampling), inebriated womanzing father (John Hurt), money matters brother-in-law (Kiefer Sutherland), pushy employer (Stellan SkarsgÃ¥rd, shockingly NOT playing the father of the groom… his real life son Alexander), and even her hopeless wedding planner (Udo Kier!!!) are only making matters worse.  The ones trying to turn her frown upside down, newbie husband A SkarsgÃ¥rd, sister Charlotte Gainsbourg, and nephew Cameron Spurr, don’t have a chance on this planet of succeeding.  So where does Dunst, down in the dumps, go from here?

After a nice hot bath, urinating on a golf course, and a spontaneous encounter with Brady Corbet (the fake Michael Pitt), Dunst has fully come undone.  The wedding ends, and so does the marriage!  THAT WAS QUICK!!!  Once everyone leaves, grumpy Dunst grumps about with sister Charlotte, bro-in-law Kiefer, and nephew Cameron at their palatial castle and grounds (see ‘Castle-Free’ below). This is when all the planetary madness comes into play, and for once, Dunst starts to feel at peace (she even planet-tans in the nude at night!!!!!), while her sister starts to lose her shit, in her own way.  Dunst’s performance garnered all of the Cannes attention and awards, but it’s hactually Gainsbourg who has the more challenging, and rewarding role.  Maybe they should have been co-awarded, as two sides of the same coin, flipping the flip flip out

moral of the story: von Trier can create joy out of uncertainty and destruction, and this time he didn’t need to harm any penises in the process.  that in itself can be seen a success, and this might juss be his mos accessible movie to date.  Heil von Trier!!

Castle-Free: LvT made the heavens and earth collide at Tjolöholm Castle, Kungsbacka, Sweden


via this really cool site QOTS!

Verdictgo: Jeepers Mos Worth A Peepers

Melancholia explodes into limited release tomorrow, and is already available on-demand, but this is a theater movie people!!!

and until next thyme the balcony is clothed…

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