Postmetheus
Alien: Covenant
Fassbender²
Official Site | Trailer & Mo
RÂ | 122 min
I returned from 2 weeks away in Italy, and after a night of attempting to reset my biological clock (it didn’t work), the next morning, the only thing I wanted to do (besides laundry) was see the new Alien movie - Alien: Covenant.  But I think I forgot to brush up on Prometheus before seeing it.  Oooops.  Kinda woulda helped!!!
Speaking of Prometheus, why did everyone hate that movie so much?  Cause the humans were dumb and did dumb things?  Well, what would you have done on a planet you’ve never been too????  Also, who wants to see a movie where smart astronauts avoid getting killed?  Aren’t the Alien movies all about watching humans getting killed by aliens in the most horrific ways possible??? And did everyone forget about how scary and captivating the movie was, and how there was an alien in our hero’s body and she c-sectioned the thing the fcuk out of her and it literally was like the most insane thing ever??????????????
Anywho, Covenant is the next prequelish chapter in Ridley Scott‘s continued attempt to properly resurrect the franchise, while raising new big questions, and introducing us to new dumb humans (welcome Billy Crudup!)  Luckily, the smartest ‘man’ in the room remains Michael Fassbender, and… Michael Fassbender.  No spoilers here, but lets just say, double the Fassbender, double the twisted fun!  And while the new crew includes a nice mix of actors from Demián Bichir to Danny McBride (not as comicy reliefy as you’d think), you know this one’s gonna be all about some short-haired lady, who’s probably going to have a high survivability rate – hello Katherine Waterston!!!Â
Yes, hello! Â Waterston seems to be in everything these days, but I would say any movie where she is wearing clothes, is a failure, cause she can totally be in a movie without clothes [NSFW]
But there’s something about her in Covenant that doesn’t exactly click, and we don’t feel for her, like they way we did for Prometheus‘ Noomi Rapace. Â Oh yeah, whatever happened to her????? Â And what’s up with the white engineer dudes? Â And the black goo? Â And this and that? Â
Covenant has more to say than Prometheus, but I don’t necessarily think it’s AS good – but remember, I really liked Prometheus (and you probably didn’t).  The day after seeing the new one, I revisited the Prometheus and I like it more now than I ever have!!!  I mean, again, c’mon, the good doctor gives herself a cesarean section and the thing that comes out of it sucks on one of those white engineer dudes and becomes a fcuking insane alien!!!!!  WHAT DO YOU PEOPLE WANT???  There are aliens in this Alien movie, and we sorta now know how they came to be, and how we came to be, and it’s both beautiful and unnerving, and these are prequels making us think – not making itself STINK
Verdictgo:Â Jeepers Worth A Peepers
Covenant agrees with you at theater near jews AND white nationalists
and until next thyme the balcony is clothed…
Dude, WHIPLASHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!
Whiplash
Dude, WHIPLASHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!
Official Website | Trailers & Mo
R | 107 min
Dude, WHIPLASHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!
It’s like Black Swan, and juss as awesome.  Birdman was like Black Swan, but was not awesome.  Whiplash got hosed at the Oscars.  Probably should have won best picture (since Jodorowsky’s Dune wasn’t even nominated).  Hell, Miles Teller was juss AS amazing as J. K. Simmons was and MT should have been nominated. Heck, we’ve even had to amend our Best of 2014 list!
Dude, WHIPLASHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!
It went like this…
O M GGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG!!!!!!!!!!!!!!!!!!!!!!!!!!
Verdictgo:Â beyond BREAST IN SHOW!!!
Whiplash bangs it on home on BD/DVD/whatever
and until next thyme the balcony is clothed…
Four Reels
THE UNSEEN SEEN
The concept is to confront the viewer with the image of an object (filmrolls) and in doing so recall images from the spectator’s memory. By reading the movie title, I want to generate emotions and images from our memory.
I got access to the film archive and museum „The Deutsche Kinemathek“ in Berlin through my friend Volkmar Ernst, who works there as a technician. I drew up a list of well-known films and those with unusual titles. I set up a little photostudio inside the cinema of the archive and backlit the film rolls by installing film lights behind the objects, lighting each roll in the same way for continuity. The result was a collection of images of a few hundred filmrolls.
Through the act of collecting and selecting the film rolls I noticed analogies between the colour and the shape of the rolls, and the content of the movies.
Besides the nostalgic connotation concerning the movie itself, there is the nostalgia concerned with the loss of a tradition. This project also deals with this loss – „the dying of film“