Thighs Wide Shut

The Lobster
Super Hurry Animals
Website | Trailers & Mo
PG-13 | 118 min

In a sorta near future, if you aren’t paired up with a significant other, you will be turned into an animal – of your choice, naturally.  Mustached Colin Farrell was recently dumped by his wife and so he needs to partner up, or animal on out for the rest of his life.  He goes to this seaside hotel run by Olivia Colman (still one of the best actresses no one knows), which helps to pair off people, or turn them into animals.  But the time to do so is limited.  If Colin doesn’t find a mate in 45 days or less, he will became a lobster (hence the film’s title).  His brother is already a dog (ever wonder why there are so many dogs??), and he brings him along on this last ditch human effort.  Others have to go thru the same drill, including some really dour and desperate souls like Ashley Jensen, Ben Whishaw, John C Reilly, and the adorable Jessica Barden

The hotel is an oddball pacifying paradise – like The Village from The Prisoner, with forever overcast skies.  Within its doors, they stage awkward dances and even more awkward demonstrations, trying to get these folks to couple up – and offer plenty of outdoor activities too, including hunting those who have failed and escaped the grounds.  If you hunt and kill one of these escapee loners, you get bonus days to stick around.  If you don’t, the clock continues to tick, and pretty soon your days as a Homo sapien are numbered

And so after awhile, after Colin has tried and tried and tried, and failed (the heartless Angeliki Papoulia provided no help), he decides he doesn’t want to be a lobster, and he flees for the woods, and taken in by loners Léa Seydoux and Rachel Weisz.  But a (un)funny thing happens on the way to being lonely – he falls for Weisz, and she for him, and that’s not suppose to happen, and even more things happen from there, and there you go

For the first 30 or so minutes of Yorgos Lanthimos first English language feature, when we’re in that wonderous hotel, I thought The Lobster was itching its way to being the kinda movie I endless love and never shut up about.  It had happened once before with Lanthimos’ Dogtooth, which is one of the mos fcuked up flicks I’ve seen this century, but as The Lobster claws its way outside of that hotel, something got a little lost in translation, and became a little long in the tooth, but I’ll excuse it, cause The Lobster is unique and imaginative, and often fun, and always keeps you on your toes, and that can’t be said of a lot of movies that come out today.  I give it bonus points for being different, and it doesn’t even really have to try – it juss is different

These lonely love seekers aint no superheroes – they’re super-zeroes, and I’d rather count on them and their sad weirdness, than the good guys saving the cinematic day.  MARVEL OVER THAT, YO!!!

Verdictgo: Jeepers Worth A Peepers

Lobster shacks it up currently in limited release

and until next thyme the balcony is clothed…

Hanna
Mum Lola Mum
Official Website | Trailers & Mo
PG-13 | 111 min

A beautiful and sheltered girl with lightening quick reflexes and an un-licensed license to kill is set loose upon the world to kick some major a$$, with the beyond sweet sounds of the Chemical Brothers following her every move.  Is this our wet dreams come true… or the so-so movie Joe Wright churned out… of his league.  Wright has made one good movie (Pride & Prejudice), one third of a great movie (Atonement) and one that had all the right instruments and band members, but couldn’t eggzactly make a hit song (The Soloist… in retrospect, wethinks our review was a lil too favorable).  Credit to Joe Dubs for tackling something a little bit more fun, and not even necessarily all that dumb, but Hanna is juss another one of his middle of the pack finishing unfinished bidnesses

How could this be?  The movie looks and feels cool, and lil Saoirse Ronan as our titular babe in the woods with the goods is totally a wicked fit (with the bonus of papa Eric Bana as her Mr Qui-Gon Miyagi), but nothing here seems to click or add up to anything worth blagging home about.  It’s not action-y enuff to be an action flick, and its attempts at humor are about as humorous as twelve episodes of Lopez Tonight.  So what is this sorta messy mrs doubt misfire?  A revenge picture with no anger or sense of danger?  An un-professional Professional? A Domino that falls?  Run Lola Run, but running in place? Dogtooth with no bark or bite? Salt that aint kosher? The Boys From Brazil with no balls/zeal? And why all the terrible German accents? Did Tom Hollander do all of his dialect research by watching Sprockets and Udo Kier‘s oeuvre?  Was Udo Kier not available??? And what’s with Cate Blanchett‘s uuuugh-inducing Texas twang?  She’s one sneer away from entering Kathy Batesing it WAY overboardland!!

The only relief comes in the form of a vacationing British family that Hanna latches onto.  Parents Jason Flemyng and Olivia Williams are a good match for each other, her and us, and we were totally digging the vibe of Hanna’s new BFF (Jessica Barden), an OMG WTF bubblegum babbling chav-tastic tween, but all this surrogate sidetracking belongs in a separate movie.  Hactually, most of the fragmented proceedings stitched together here deserve their own individual treatment.  Focus people, focus!!

Remember how TRON 2 worked mostly cause it was one giant Daft Punk video?  Well, Hanna‘s like a 6th rate Chemical Bros vid.  What, was Michel Gondry not available either?  Perhaps he was getting busy with Udo Kier??  UDO KIER!!!!

Caption This!!!:

‘Your Royal Highness, this is that girl who gets raped in that Peter Jackson movie everyone hated, but it really wasn’t that bad of a movie.  Swears!’‘

Verdictgo: it’s passable entertainment, but it could been a contender, so Sum Merit But No Stinkin Badges

Hanna has no sisters at a theater near jews tomorrow

and until next thyme the balcony is clothed…