Tag Archives: Meryl Streep

Paranoid Hyde Park

The Iron Lady
Fear & Loathing at 10 Downey Streep
Official Website | Trailers & Mo
PG-13 | 105 min

What the f$%k is this Phyllida Lloyd (she directed Crappa Mia!) and Abi Morgan (wait, she wrote Shame???) Margaret Thatcher ‘biopic’ all about???  You learn next to zero about the woman and her accomplishments (well, besides that she was a woman who did the impossible by becoming a female Prime Minister and then became a rather bossy lady and then people grew tired of her bossy lady finger waving ways, and then…), and what we do learn is that the retired PM apparently spends her todays in lost delusional thoughts and talks to her deceased husband, who might be crazier than this movie.  If we were Margaret Thatcher and saw this Oliver Stone boneheaded treatment of our past and present, we’d say FALK(land islands) YOU!!!  Seriously, what’s the f$%k did we juss watch?  This is a big ole BM about the first lady PM

Crying fracking shame, cause Meryl Streep hands in another one of them beyond magnificent performances that muss be seen to be beloved (and is miles away butterer than anything these ladies done tried), and it’s udderly wasted (along with the supporting work of Jim Broadbent, Olivia Colman, and Alexandra Roach, who’s equally as brilliant as Streep is, playing the younger Margaret) amongst a mess of ideas and conjecture and canted angles.  Sure, give America’s iron(weed) lady an Oscar, and another to the hair and makeup department (AMMMMAZING!!!!), and throw the rest in the rubbish bin, or the looney bin, where the filmmakers apparently believe Mrs Thatcher belongs, but it’s where them filmmakers belong.  We don’t know how to make movies, but had we made this one, we woulda taken a much more straight-forward approach, like those solid Michael Sheen as Tony Blair thingies, cause learning about someone is usually more interesting than making up crap and displaying it in a ‘creative’ way

moral of the story – The movie feels like Nixon + Fear & Loathing In Las Vegas + Harvey MINUS everything good about any of those movies.  there you go, or don’t. NO NO NO!  They should have never made that Julia Childs movie and this one, and instead juss made a movie where Streep does imitations for 9 hours

Spitting Image Headache: oh yeah, The Iron Lady also feels like watching that eyesore Genesis video for ‘Land of Confusion’ with those f$%king scary-a$$ Spitting Image puppets

Verdictgo: Streep saves from total eye slitting, so Sum Merit But No Stinkin Badges

this Lady is Iron clud in NY/LA only, and elsewhere elsesoon

and until next thyme the balcony is clothed…

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Utensilitis

Julie & Julia
Child’s Kid & Play
Trailers & Mo | Official Website

Julia Child lead a most fruitful life, making a name for herself in introducing French cuisine to the plebeian American suburbanites in both print and later in television (do we have her to thank for Yan Can Cook and Justin ‘I gar-on-tee!‘ Wilson?), while privately maintaining a loving relationship with her cherished diplomat husband. There was one thing she always wanted, but could never have, a child (irony?). She may not have been able to procreate, but she indirectly created a monster in the form of Julie Powell. Mrs Powell was looking for a purpose in life and found it in Mrs Child’s cookbook. Since fresh creativity doesn’t really eggsist anymore, Powell made like a hip-hop ‘artist’ and sampled Child’s work into her own. The result was a blog chronicling her attempt to make all 524 recipes from Child’s Mastering the Art of French Cooking in the span of a year. Yawn. Almos more yawn is the design of her blog (her current blog aint munch butter). All talk, not bite. Well nothing screams motion picture quite like a woman’s struggle in the kitchen and blogging about it, right?

You go girl writer/director Nora Ephron tries her damnedest to turn this ‘story’ into a movie, cross-cutting from Julie’s struggles (food falls on the floor! her husband’s grows tired of her being annoying! oh my!) to Child’s own culinary education and the process of making her cookbook while living in France. Naturally, the more watchable bits revolve around Child’s life, tenzillion-fold over Powell’s. It also doesn’t hurt that Meryl Streep‘s sporting Child’s apron, and like the true artist that she is, Streep embodies her role, instead of making a parody of it (they let Dan Aykroyd do the dirty work). Stanley Tucci plays her husband Paul, and not only does an affective job demonstrating the Child couple’s perfect pairing, but also the second pairing (after The Devil Wears Prada) of he and Streep. They’re magical together, and we hope the two continue to unite onscreen again and again and again. On the other side of the flick, Amy Adams (making her second pairing with Streep as well, after the YUMcredible Doubt) is tasked with the thankless job of playing the pouty Powell, with Chris Messina having an even more thankless job of portraying the supportive hubby. Without her and her blog and her ‘troubles’, this movie wouldn’t eggist, but after further review it seems like Child’s mostly carefree life, with Streep walking VERY tall in her shoes, is so colorful and delightful that it’s worthy enuff to warrant its own film. Anywho, to all the guys out there, have no fear if yer ladies drag you to this cause the bon appétit bits well out weigh the au bon pain in the ass ones

DCeiving: like Julie Powell, you too can (cook) visit Child’s kitchen at the National Museum of American History in DC, but yer better off skipping it, cause it’s boring, and instead indulge in the cuisine of astronauts, freeze-dried ice cream, which is available at every gift shop on the Smitshonian grounds

Verdictgo: Jeepers Worth A Peepers

Cold Souls
Soul Kauf(man)ing
Trailers & Mo | Official Website

Sophie Barthes‘s Cold Souls is like a more clear-headed mix of Being John Malkovich, Synecdoche, New York and Enternal Sunshine of The Spotless Mind. That’s quite good Charlie Kaufman company to be in for Barthes’ full length feature debut, wouldn’t ya say? The idea for the film regarding a man having his soul extracted was dreamed up from one of her own dreams, and the man in question was Woody Allen. Obviously it aint no easy task to have him star in a movie these days (guess he’s waiting for Scenes From A Mall II), so in steps Paul Giamatti, who brings his own brand of neuroticism to the playing field. In Souls G-mat plays… Paul Giamatti, a crazed actor having much trouble gettin through Uncle Vanya rehearsals, and after reading an article in The New Yorker he finds himself in a Total Recall-type lab (run by David Strathairn) where his soul will be removed and placed into a jar. His soul turns out to be the size and shape of a chickpea, and without it, he feels quite empty, especially around his well-aware wife Emily Watson, so he has the option to take someone else’s soul. After giving a troubled new soul a spin, he decides he wants his old one back, but it’s been stolen! and shipped off to Russia! by way of the soul black market! and all so some Russian dude’s aspiring soap opera actress wife (see Win-Winnick below) can get a bit of stage cred! The first half of Cold Souls is a brainy, but not too heady joy, and the second is a little more adventurous, although not as interesting as the first half, as Paul heads to mother Russia, with the help of sympathetic soul trafficker Dina Korzun, in hopes of gettin
g his soul back. It’s a mixed bag, but a rather curious one lessthenone, so you should feel free to place your hand in this bag for a lil soul II soul searching

A Win-Winnick Situation: Katheryn Winnick plays the Russian actress hungry for the soul of Al Pacino, but gets Giamatti’s instead. we all wanna play Russian and be in a mad hurry (get it, rushin’) to make sweet hand love to this kick glass Maxim babe

Verdictgo: Jeepers Worth A Peepers

J&J creates heat in kitchens across the country today, while Cold Souls gets icy hot in NY & LA only

and until next thyme the balcony is clothed…

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Mama Mia Superior Jumps The Gun

Doubt
We’re No Angels
Trailers & Mo | Official Website


Dis-clothes-her: during our daytime travels we actually got to see a lot of the dallies of Doubt. Like most films, it was shot out of order, and we were forced to watch Meryl Streep yell at anyone with ears take after take. Without the benefit of seeing the finished product we surely thought that this was going to be one of the moisted boringist dry movies to come out this winter of discontent. Chef boy o boyardee weres wees wrong! Although this John Patrick Shanley (Moonstruck, Joe Versus the Volcano) play turned into his own movie is quite stagy by being confined to a few sets, it’s the absolute opposite of borings. Not to say that there’s rockets launching every 10 minutes or that it’s the moist visually (dis)pleasing Paulie Litt film of the year, like Speed Racer was (although the cinematography by Roger Deakins is stark, yet stunning), but when Streep goes toe to toe with another top notch Hollywood yeller like Philip Seymour Hoffman, we’re all in for a real and possibly rare treat. It’s like a Frost/Nixon grill fest that coulda been titled Streep/Hoffman. The story is nothing complex — priest Hoffman has a questionable relationship with the sole African-American boy in the church’s school and a young nun on the run (played with great innocence by Amy Adams) confides her feelings about the relationship with headmistress Streep, and Streep becomes convinced of his wrongdoing w/o any proof (or DOUBT!) and uses this seemingly baseless allegation as a catalyst to try to get him out of their school/church — but simple or not, there aint a film out there right now that’s more riveting than Doubt. With such acting heavyweights slinging such good material, it’s hammazin that Viola Davis (who plays the boy’s mother), can duke it out with the best of them and make a name for herself, even if she’s in the film for only 5 or so minutes. Have no doubt and see Doubt, a true feast for those who love acting

Sister Sister: poor-sighted Sister Veronica is played by Alice Drummond, a woman you’ve seen in many a films, but is probably bestest known as the scared libririan from Ghostbusters

Verdictgo: Breast In Show

Doubt is currently playing at a theater near jews

and until next thyme the balcony is clothed…

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Voulez-Boos

The X-Files:
I Want to Believe

A Sorry X-Cuse For A Second Feature
Trailers & Mo


Like with Dr Jones, it’s a pleasure to catch-up once again with our old pals Mulder and Scully, we juss wish the reunion was packaged with something both familiar and mind-blowing, and not lackluster and half-assed. This second X-Files big screen adventure is a lot like the first one, cept it has less to do with the show’s delicious mythology (if yer looking for aliens see Crystal Skull instead) and more to do with wasting everyone’s time (unless yer really into questioning faith and religion). The production of the film was shrouded in secrecy, but what’s the point when there’s nothing within this basic serial killerish film worth holding the beans back from spilling. Guess the only secret was how plain this film turned out to be. It is kinda entertaining, but we expect more from team X, as this stand-alone piece is just that, standing by itself, far from what made the series so darn franztastic to begin with. While we are treated to sum lovely tender moments between Duchovny and Anderson (although they spend way too much screentime apart… probably the result of shooting schedule conflicts), everything else in play is ho-hum. The only thing supernatural goings on here is Billy Connolly as a child-raping priest/physic, and the rest seems very super-unnatural, like newcomers Xzibit and Amanda Peet, who both add very little to the effort (they should left Xzibit off the screen and figured out a way to use his killah song ‘Paparazzi’ instead). We’re kinda tossed on whether they should even bother with a third flick, but the fact remains that the truth is still out there since I Want To Believe is juss a bunch of truthiness

The Hank Moody Boobs: Mulder is so yesterday’s news thanks to Duchovny’s work and all play banging hot chicks on Showtime’s Californication [NSFW]

Verdictgo: Sum Merit But No Stinkin Badges

Mamma Mia!
My My, How Can We Resist You? Very Easily
Trailers & Mo


This past decade has seen its fair share of stage musicals making a bumpy transition to celluloid. For every Sweeney Todd or Hedwig that are able to make the magic work, there are at least a handful that repoop it up like Phantom of The Poopera or Poopspray or Low-Rent or The Pro-Poopers or Nightmaregirls. Mama Mia! is another one to add to the poopfest list. They woulda been better off calling it Dia Rrhea! OK, it’s not as awful as one would think, but after about 3 songs into this ABBA karaoke-a-thon yer gonna wanna run home and listen to Agnetha, Björn, Benny and Anni-Frid sing the tunes instead of whatever butcher shop Meryl Streep and co have opened for bidness. We’re glad that they were having such a great time onscreen, but maybe they could figured out a way to transfer some of that fun to the paying audience. This may not be the movie musical’s Waterloo, but it’s certainly its Waterpoop

Remington Shrill: we pity poor Pierce Brosnan. he’s got a lovely voice for talking (and audio tours), but not so much when it comes to singing. he’s down right slight yer ears off repoopulous, yet we can’t stop listening to his duet with Meryl on ‘S.O.S.’ [d]

Verdictgo: Sum Merit But No Stinkin Badges

both films are playing at a theater new Jews

until next thyme the balcony is clothed…

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