Tag Archives: The Goonies

Raider of the Lost Spielbergian Art

Super 8
Amblin’ Enuff Entertainment
Official Website | Trailers & Mo
PG-13 | 112 min

Steven Spielberg doesn’t make Steven Spielberg movies anymore (yes, Munich is the knees bees, but do flicks like that scream Spielberg’s name? no), so why not let someone else make them?  Fine by we, and apparently fine by Spielberg, who produced JJ AbramsSuper 8, which is soaking in so much Spielbergian Spielbergedness that someone has rightful dubbed it ‘Spielberg porn‘.  Still fine by us.  We all loved Spielberg’s 70s & 80s output (if you didn’t, you must have skipped childhood), and no big flicks these days has come even close to (re)capturing that magic and wonder (maybe Pixar stuff, but that’s computer cartoon stuff, and thus doesn’t count).  Abrams must feel the same void we do, and he certainly aims hard to fill it.  Good for him

For 2/3rds of his first real film, Abrams hits the E.T. marks to perfection.  By the time we get to that last third, he’s still following in Spielberg’s footsteps, but instead of karaoke-ing on the good stuff, he gets Super 8 bogged down in the lesser and louder Spielberg stuff, like his War of the Worlds. That’s not a good thing (we can never forgive Spiels for everything that happened after Tim Robbins showed up), but still, it’s OK.  We’d rather have movies that hearken back to older movies that work, and not just be extensions of franchises and name brands (we know yer siked for that Battleship movie… SIKE!).  We must support this kinda stuff, hispecially since Abrams comes awfully close to nailing it

Recently, we were watching The Goonies (another Spielberg related 80s gem thingie) and felt sorry for today’s kids who don’t have their own Goonies. Movies where kids are the focus and there’s fun AND serious stuff going on (read: NOT Hotel for Dogs) are too far and few between.  Again, Abrams is gunning for that same territory, and is A THIRD CLOSE to having an encountery-kind there.  They did cast a great bunch of youngins, who all fit into some sorta Spielbergesque kid role/look – Mikey Walsh (Joel Courtney… hope this kid’s around 9ever), Chunk (Riley Griffiths), Henry ‘Elliot’ Thomas (Zach Mills), Elliot’s brother (Gabriel Basso) and Mouth (Ryan Lee), but in 10 years time, no one will be remembering these characters’ names or any lines of their dialog.  It’s kinda like Joe Dante’s Explorers, which sorta looks and feels Spielbergay right, but juss aint eggzactly the genuine article.  Wait, what the hell was Explorers about?

So what is it that doesn’t work?  For one thing, Elle Fanning should have played every role.  Yep, she’s that hammazin.  She’s even more hammazin than her sister is/was.  If you haven’t seen her in the nowhere going Somewhere, yer going nowhere, MISTER mr!!!  Our lil Joel Courtney (see, who cares what his character’s name is) falls for her, and you will too. You will!!  So much so that yer gonna start rooting hard for them tweens to hook up.  Kids making out is a pretty sick thing to root for, but thats how compelling and believable their budding relationship is!  That shiz is Super-gr88888!!!

So what is it then that keeps this Spielbergy thing from being totes Spielbergeded????  If we told you, we’d have to kill you, or spoil-ish the movie, sorta.  We will tell you this – Abrams is grrrrrrrrrrrrrrr8 at keeping the lid on mystery (and keeping the pace fast!!!), but once the lid is lifted, what’s behind the curtain was probably better left being a mystery.  Remember how Lost began and ended?  Bang and whimper?  Still, we’re not going to complain here.  This is only Abrams’ first stab at Spielbergvilletown.  Looking forward to seeing his Indiana Jones rip-off.  Just don’t let George Lucas anywhere near it

ps, Kyle Chandler is so good at being a screen dad.  we so wish he could be our screen dad!!

ps 2, we agree with Leitch, Abrams’ buddy Matt Reeves’ Let Me In is THE Super 80s throwback over Super 8

West Virginia Is The New Ohio:  what happens when yer town is rundown and hasn’t changed in 30 years?  YOU GET TO STAR IN A SPIELBERG JJ ABRAMS MOVIE!!!!!

welcome to Weirton, West Virginia, home to ‘Lillian, Ohio’!  watch this! read this! & look at this!

Verdictgo: Jeepers Mos Def Worth A Peepers

8 is duper-enuff tomorrow at a theater near jews

and until next thyme the balcony is clothed…

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Scary Stories To Tell In The Light

Where The Wild Things Are
Add Depth Tation
Trailers & Mo | Official Website

We’ve been baffled, befuddled and blindsided as to what to make of Spike Jonze‘s much more than 10 sentences movie version of Maurice Sendak’s long beloveded (which our mumsy can’t figure out why it is so) Caldecott Medal winning Where The Wild Things Are picture book. It’s inventive, audacious, dreamy, bleak, and downright boggleminding. It also happens to be the biggest big screen risk in recent memory that a studio has taken by letting Mr Jonze’s Sendak approved work play out as it is. No wonder there was a lot of fuss between the WB and the director, cause it’s a remarkable unmarketable flick

Can’t say that we truly loved it, but can’t say that we didn’t either. One thing we can say is that you should stock up on yer shrooms intake before viewing, and even if you don’t, you should still probably see it cause you’ll get juss as delirious even if yer sober. Don’t know if kids will take to this very un-PG PG pic at all, but it’s middle section, where the Wild Things actually are, is seen just like a children’s book usually reads – free flowing, with no real rhyme or reason other than to entertain the end user with a nice little moral or message. In someone else’s hands (besides Gondry or Burton, hell, let’s throw Kubrick’s name in there as well), WTWTA, would have been a disaster, so it has to be said that Jonze hit the nail on the head, even if there wasn’t exactly a blueprint on how to turn this short book into a full fledged feature (we’d love to see him go through with the aborted Harold & The Purple Crayon adaptation he planned to make… czech out this test footage)

Best way to describe what it was like to experience the imagery heavy/plot light WTWTA is thru… heavy imagery, and even more sentences than 10! we’ve rarely done this in this past, and it was only to show how awful a movie is, like VanHelSucks, or not, like The Lion, The Witch, and The Wardrobe

take one kid who looks as innocent as Elijah Wood
with a real name (Max Records) as fake as Max Powers

but make him a bit cooler, and more rambunctious
like Corey Haim and/or Corey Feldman
before theys became uncool and had a reality show

then force him to wear a pair of footie pajamas
that are less gay than Ralphie’s

topped with a Burger King crown

then have him get totally pissed at his family
cause no one has time to pay attention to him
esp his mum Catherine Keener who has to appear by contract
in any Charlie Kaufman or Kaufman-esque type movie

who dates Mark Ruffalo
who’s in the movie for like literally 39 seconds
and therefore gots like the easiest paycheck mt EVERest

then the kid runs away and somehow finds a boat
and sets sail for the cliffs of insanity!

or a rocky beach where the Goonies see the light of day!
or any sorta odd island type place ala Lost or Lord of The Flies

where he then runs thru a creepy Twin Peaks forest

that’s not as creepy as Lakeforest Mall in Gaithersburg, MD

where he meets a bunch of harry goof balls that look like
incredibly hi-tech updated versions of Chuck E. Cheese’s
animatronic house band The Pizza Time Players!

with voices that sound an awful lot like
Tony Soprano, Claire Fisher, the milkshake drinker,
that closeted gay dad from American Beauty,
the last king of Scotland and Catherine THE GREAT O’Hara
who’s name alone conjures up that one in a zillion voice

and theys also look like

Falkor and Mischa Barton

and pretty much anything else from
The Neverending Story eggcept this

although kids, incorporated or not, loves the Limhal

and then the boy and the harry and the henderson goofballs
goof around like theys was on Romper Room

and beat the fork outta each other like Romper Stomper

and then theys walk the desert

which aint got no two suns like Tatooine!!

and so theys do this stuff, and then run thru
the forest again and then the desert again

and everytime theys does, you hear some some
Polyphonic Spree type-o positive music by Karen O and The Kids
which is brilliant stuff, but is played a lil too often

and then theys build a fort

with a center consisting of a circle thingie
that looks like the New World Entertainment logo

and then the kid and the hairy things get mad at each other or something and then make up or something and then it’s time for him to go and then he does and then it ends

and another Dave Eggers penned flick that attempts to
pull at yer heart strings doesn’t really pull at anything
juss like his Away We Go did/didn’t


alas, plenty of bubbles, but no champagne!!!!

All Hands On Sendak: best gift for kids that we get all of our friends’ kids be the Nutshell Library, which includes our flav Sendaks, Alligators All Around, Chicken Soup with Rice, One Was Johnny, and Pierre. not so sure of their greatnesssss? then why did the wonderful Carole King lend her pipes to singing his books as Really Rosie, eh? read em, listen to her CD and feel the earth move under yer feet

Verdictgo: so effin luol dang strange, but that shouldn’t stop you from peepering this Jeepers Worth A Peepers

WTWTA opens at a theater near jews today

and until next thyme the balcony is clothed…

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Falkor & Sloth, Together 4ever

Has it ever been your wet dream for Martika (‘Toy Soldiers’, vid in English OR live in Spanish!), Fergie (Kristen Johnston‘s alias in Black Eyed Peas), Rudy from The Monster Squad and several other youthsters from Kids Incorporated to sing Limahl of Kajagoogoo fame’s ‘The Neverending Story‘ [vid] AND Cyndi Lauper‘s of Cpt Lou offspring fame’s ‘The Goonies R Good Enough‘ [vid, which includes Steven Spielberg in hipster clothing]? Well, shiz happened on Episode 15: ‘The Phantom of the P*lace’ of Kids Inc‘s ’85 season (‘Somebody’s Watching Me’ was also played). I couldn’t find him in the vid below, but there’s a good chance that Mario Lopez/AC Slater was prancin around the set somewhere


[Nipsy Newbsy]

and although the Kids Inc theme song was purty darn dope, nutin can touch 3-2-1 Contact‘s shazzle bedazzle [vid|wav]!!

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